Ian McEwan, the writer,
was born in England in 1948. As his
father was an officer in the British Army, Ian spent his early life in
places such as Singapore, Germany, and Libya.
He returned to England when he was twelve years-old. McEwan earned a Bachelor’s Degree in English
Literature from the University of Sussex. He also earned a Master’s Degree in creative
writing.
Ian McEwan first
published a collection of short stories in 1975. He started writing novels in 1978. In 2001, I first became acquainted with his
work when I read the acclaimed novel, Atonement. After reading it, I developed a thirst for
more of his work as I thoroughly enjoyed his sophisticated style and manner of
story-telling. I have since read other
books of his including On Chesil Beach, Saturday, The Comfort of
Strangers, Black Dogs, First Love, Last Rights, Amsterdam and Sweet Tooth.
While
browsing in a book store here in São Paulo earlier this year, I came across McEwan’s recent
novel, The Children Act. After I finished reading it while on vacation
in Guaruja, I did something I had never done before. I immediately re-read it. It had such an intoxicating effect on me that I
almost couldn’t give it up.
It is the
story of a middle-aged English woman, Fiona May, a High Court Judge in London who
specializes in Family Law. While
continuing to deal with her caseload, which usually involves children’s issues,
she is also undergoing a personal crisis, the possible dissolution of her
long-term childless marriage.
Fiona’s latest
case concerns a 17 year-old boy who refuses a life-saving blood transfusion for
leukemia because of his religious convictions.
How should she decide? What is in
the best interest of the boy? Does he
have freedom of religion? Can someone
refuse medical treatment? And what will
happen to her marriage? McEwan will keep
you turning those pages, spellbound by his marvelous use of the English
language in telling a fascinating story.
I highly recommend The Children Act.
Here’s a
quick look at the book’s beginning for a sneak peek of McEwan’s writing style:
“London. Trinity term one week old. Implacable June weather. Fiona May, a High Court judge, at home on
Sunday evening, supine on a chaise longue, staring past her stockinged feet
towards the end of the room, towards a partial view of recessed bookshelves by
the fireplace and, to one side, a tall window, a tiny Renoir lithograph of a
bather, bought by her thirty years ago for fifty pounds. Probably a fake.”
In 2017, McEwan wrote the screenplay for the movie version of his story. It starred Emma Thompson (Fiona), Stanley Tucci (her husband) and Fionn Whitehead (the boy).
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