The 1985
film, Witness, which was directed by
Peter Weir and which starred Harrison Ford, Kelly McGillis and Danny Glover, won two
Academy Awards: Best Original Screenplay and Best Film Editing. It was also nominated for six other Academy
Awards including Best Picture (won by Out
of Africa), Best Director (won by Sydney Pollack for Out of Africa), and Best Actor (Ford lost to William Hurt in Kiss of the Spider Woman).
Witness is the story of a Philadelphia Police
Detective, John Book (Ford), who is assigned to investigate the murder of an
undercover police officer at its 30th Street (train) Station, a place I personally knew well as it is nearby the campus of the University of Pennsylvania. The only witness to the murder is an eight
year-old Amish boy, Samuel, who was there on a stopover while travelling with his young, widowed mother, Rachel
(McGillis). Later, Samuel sees a photo and tells Book that a
fellow Philadelphia Police Detective, McFee (Glover), was one of the
murderers. Later, McFee tries to silence Book
in an ambush in a parking garage. Book
escapes, but is badly wounded. He then flees
in a borrowed car with Rachel and Samuel, returning them safely to their Amish
community. Rachel and her father-in-law
slowly nurse Book back to health, despite their Amish displeasure at having a
man with a gun in their home. As he
recovers, Book and Rachel develop a romantic relationship.
Witness reminds me of John Wayne’s 1947 western
film, Angel and the Bad Man, which
also starred Gail Russell. It is the
story of a notorious gunman, Quirt Evans (Wayne), who, while injured after an
altercation with a rival’s gang, attempts to flee but collapses while crossing a Quaker
farm on horseback. The farming family,
despite their Quaker objections to having a man with a gun in their home, plus
a local doctor, nurse Quirt back to health.
As he recovers, Quirt and Penelope (Russell), the family's daughter, develop a romantic relationship. Sound
familiar?
After a
final confrontation in which the bad guys are killed and/or captured, Book and
Rachel realize that their relationship, while passionate, has no where to go
since they are from two different worlds.
He returns alone to Philadelphia. On the other hand, in a similar confrontation in which the bad guys are
killed by a lawman, Quirt (who gives up his gun) and Penelope go off together
ostensibly to live the peaceful life of Quaker farmers. Perhaps that was too unrealistic an ending
for a 1985 movie audience. However, it worked
in 1947. Or maybe we are simply seeing a different perspective on romance, one with a happy ending, the other one sad.
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